Poetry & Art
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Power Point

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Power Point by Jane Yevgenia Muschenetz

Review by Diane Gottlieb

 
 

“Can you provide a definition of the word ‘woman’?” Marsha Blackburn, Republican Senator from Tennessee, asked Supreme Court Justice Ketanji Brown Jackson at Jackson’s confirmation hearing. Jackson wisely declined to take Blackburn’s wildly inappropriate bait. Jane Yevgenia Muschenetz, however, finds poetry to be the perfect medium in which to confront such questions that seek to diminish women and marginalized communities. And confront them she does, repeatedly, in her short yet remarkable collection Power Point.

“Point of Order,” the opening poem, begins with Blackburn and is followed by Muschenetz’s answers to the senator’s question: bullet-pointed evidence of the dramatically different spaces men and women occupy in our society, creating an artistically innovative representation of inequitable power dynamics baked into our current system.

An MIT MBA graduate and a beautiful poet, Muschenetz came to the U.S. from Soviet Ukraine as a ten-year-old Jewish refugee. In Power Point, she utilizes technology to create poems as only an MIT graduate might.

In “100% MOM, a Powerpoint Poem About Women and Labor,” Muschenetz places distressing statistics about women in the labor force beside those detailing maternal mortality rates, all within the letters spelling “MOM.” Similar in form but featuring statistics regarding sexual violence is “ME TOO, a Point of Consensus, Parts 1 and 2.” In “Point Blank,” Muschenetz lodges statistics of gun violence inside the image of a pistol. This one stopped me cold.

By seeing the world as it is, Muschenetz challenges us to imagine a different way of being. She closes the collection with “STOP this poem!,” one of the more traditional forms that are interspersed among the data poems:

It’s not only possible
it’s been done before, and more than just once or twice
and by people just as imperfect as we are,
with even less opportunity to get it right …
Read the leaves while they’re still on the tree.
Ripen to fullness
Become un-pluckable.

What a wonderful charge, one that underlies each poem in Muschenetz’s unique and compelling collection. “Become un-pluckable!” Inspiring words and a wish I share for all of us.

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Diane Gottlieb

Diane Gottlieb is the editor of Awakenings: Stories of Body & Consciousness (ELJ Editions) and the Prose/CNF editor of Emerge Literary Journal. Her writing appears in WitnessColorado Review, River Teeth, Florida Review, SmokeLong Quarterly, Best Microfiction, Identity Theory, pacificREVIEW, Main Street Rag, The Rumpus, and many other lovely places.

Jane Yevgenia Muschenetz

Jane Yevgenia Muschenetz is a Ukrainian-born, Jewish author and artist who fled the Soviet regime as a child. Recognized in 2023 for excellence in Poetry Performance by the County of San Diego, Jane has appeared on KPBS Midday Edition and in numerous publications. Among other honors, Jane won the 2024 California Press Women Communications Prize and the 2024 Poetry Collection of the Year Award from San Diego Writers Festival for her debut poetry chapbook, All the Bad Girls Wear Russian Accents (Kelsay Books, 2023). Her visual data hybrid poetry collection, POWER POINT, is forthcoming from Sheila-Na-Gig Editions in 2024. Jane is also the “butter half” of the husband-and-wife team behind the food and photography blog, Table M. Jane earned her MBA from MIT's Sloan School of Business and her BA in Political Science from UCSD.